On behalf of the cast and crew, we wanted to say a special thank you to all who came out to see The Stranger during our run! We’re so glad you could come out and enjoy the show. We hope you had a good time with us.

To the cast: We’re incredibly thankful you chose to spend the first part of your fall with us! Thank you for sharing your talents with us and we can’t wait to have you back!

We’ll be coming back in February as we have auditions for our Spring production of Prescription:Murder!

Prescription: Murder is a suspenseful stage play by William Link and Richard Levinson that inspired the TV series Columbo. It follows Dr. Roy Flemming, a brilliant psychiatrist, who conspires with his mistress to murder his possessive wife and create a flawless alibi through an elaborate impersonation. Lieutenant Columbo, an unassuming yet shrewd detective, engages in a psychological duel with Flemming, gradually unraveling the scheme. The story culminates in a clever trap and an unexpected twist that exposes the killer’s weakness..

We can’t wait to see you there! Stay tuned to our website for the audition notice!

Tonight’s the night!

After weeks of rehearsals, design work, and anticipation, The Stranger opens at The West Allis Players. The cast is ready. The stage is set. The mystery is about to unfold.

Join us for an evening of suspense, emotion, and unforgettable storytelling. Doors open at 7:00, and tickets are still available on line here, or at the door.

We’ll see you in the audience—if you dare.

Two days until opening night, and the tension is rising.

What makes The Stranger so unforgettable? It’s the psychological unraveling. The slow burn. The moment when truth and illusion collide. This isn’t just a mystery—it’s a moral reckoning.

Today’s post explores the themes of guilt, redemption, and identity that make this play resonate. Whether you’re a Christie aficionado or new to her work, this production will challenge your assumptions and keep you on edge. Buckle up for a little reading (and maybe some spoilers…if you don’t know the show. You’ve been warned!)

Guilt: Real or Manufactured?

In The Stranger, guilt is a slippery concept. Enid’s narration suggests she may have poisoned previous husbands for their insurance money, but the audience is never given definitive proof. This ambiguity raises questions:

• Is Enid truly guilty, or is she fabricating a story to manipulate Gerald Strange and save herself?
• Is guilt a weapon or a wound? Enid’s alleged past crimes haunt her, but they also empower her to act decisively.

Christie plays with the idea of performative guilt—where the appearance of remorse or confession may be strategic rather than sincere.

Redemption: Survival as Salvation

Redemption in this story is not about moral cleansing—it’s about reclaiming agency. If Enid is guilty, her actions in the play could be seen as an attempt to escape a cycle of abuse and manipulation:

• She outwits Gerald, who seeks to dominate her physically and financially.
• Her ingenuity becomes her salvation, whether or not she poisoned him.

Unlike traditional redemptive arcs, Enid’s path is murky. Christie suggests that redemption may not require innocence—only resilience

Identity: Truth, Lies, and Reinvention

Identity is the most fluid theme in The Stranger. Enid’s character is a master of reinvention:

• She narrates her own history, but the reliability of her account is constantly in doubt.
• She may be a victim, a villain, or both—and Christie never resolves this tension.

Gerald’s attempt to control Enid’s identity through marriage and manipulation is ultimately thwarted. In the end, Enid defines herself, not through confession or absolution, but through survival.

Christie’s brilliance lies in how she weaponizes ambiguity. The Stranger doesn’t offer moral clarity—it forces us to confront the uncomfortable truth that guilt, redemption, and identity are often subjective, performative, and deeply entwined.

Tickets can be purchased ahead of time by clicking here, or at the door the night you come check out this thriller.

Three days out, we’re pulling back the curtain on the design magic behind The Stranger.

Our set evokes a world of unease—where shadows stretch long and silence speaks volumes. Lighting and sound play a crucial role in building suspense, while costumes hint at secrets buried beneath the surface.

In today’s blog, we spotlight the creative team and their vision for immersing audiences in Christie’s chilling atmosphere. It’s not just a play—it’s an experience.

Mike Van Dreser is a veteran lighting designer in southeastern Wisconsin and the owner of Stage Right Designs. Some of his more memorable shows are Big Boys with Next Act Theatre, The Mikado, The Mikado 2.0, Magic Flute with Milwaukee Opera Theatre, Twas the Month before Christmas with Doug Jarecki both at Next Act Theatre and at Broadway Performing Arts Center, and Next to Normal and Hedwig with All-In Productions.

Shawn Anderson is our costume magician who, in addition to some community theater work, devotes a large part of her costume expertise time to the drama department at the New Berlin West Middle/High School.

Scott Fudali is our scenic designer and sound designer. He has been involved in shows with the West Allis Players since his first show Monday Always Leads to Murder back in 2010. He’s done lighting, sound, sets, and also been on stage with West Allis. Sometimes wearing multiple hats for the same production!

Tickets can be purchased ahead of time by clicking here, or at the door the night you come check out this thriller.